Premise is the short summary of your story, also known as the hook or logline, that informs the reader’s expectations of where the story will go. Stay on track and learn how to structure your personal story with strong premise in memoir.

If you’re struggling to figure out how to write your memoir or can’t seem to find the right words, here are three writing practices to make you a better memoir writer and help your memories, reflections, and musings shine bright and clear.

Many aspiring memoirists wonder: how true does my memoir have to be? It can be daunting to think about the holes in our memory, the times we disagree with others about what really happened, or the way time has altered our perception. No one wants to become the latest scandal for lying in a memoir!

What happens when you’ve written a memoir but find that your words aren’t resonating with readers the way you thought they would? And upon that realization, what do you do or change to bridge the gap?

Many authors write under a pseudonym, also known as a pen name. If you think writing under an alias is in your future, here are some criteria to help you decide. I’ve also got some tips on how best to come up with one.

The act of writing theme is an important ingredient in storytelling, but it doesn’t have to resound with Meaning-with-a-capital-M. In fact, theme works best when it’s subtle and even open to interpretation. Here are three tips that’ll help you incorporate theme into your story.

Some writers have been scribbling stories for so many years, they can’t remember a time when they weren’t writing. Others—like me—specifically remember when they decided to attempt a novel and began typing their first paragraphs. I want to share some advice for beginning writers here who might be feeling overwhelmed, insufficient, or daunted by the road ahead.

Uncap those pens, pop open those PCs, and crack your knuckles. It’s time to dive into good ideas for books, and how to brainstorm. Good Story Company is here to help you stay inspired with our quirky list of good ideas for books.

Thinking about a “target audience” can sound cold and impersonal, especially for writers who are pouring their hearts into a manuscript. After all, it’s not like we’re lining readers up, eyeing the red circles painted on their torsos, and lobbing our books at them. Or are we?

Story ideas don’t always come easily, but sometimes we get glimmers that turn into a list of foggy ideas. How do we decide which new idea to run with? And how do we take steps to make it shine?

Many writers run into some form of writer’s block, but nonfiction and memoir writers have certain challenges to overcome writer’s block that fiction writers don’t face. Someone writing a novel can simply … make up what happens next. But memoir writers can feel constrained by wanting to be true to reality.

Stories are like people. They have a body, and a soul. The body is the plot, the actions that happen. And the soul is the character, the protagonist, the key person (or persons) bound by the circumstances of the plot and forced into decisions.