Story Physics: Reaction Beats

Story Physics: Reaction Beats

Newton’s third law says every action will have an equal but opposite reaction. This is true in stories, too … or at least it should be. How do we get to know characters, even as they flit from one conflict-ridden chase scene to the next? Through reaction beats.

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Picture Book Voice

Picture Book Voice

Your voice is unique to you. It’s how you talk; the combination of sounds, the words you choose, your sarcasm or humor, etc. Those same idiosyncrasies factor into writing voice. It’s a writer’s stylistic choices, the POV character’s personality, and the audience you’re telling the story to. So, what’s picture book voice?

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How to Write Active Dialogue

How to Write Active Dialogue

Writing dialogue is tricky. It seems like it should be the simplest part of the process, because we’re all familiar with what conversations sound like. There’s a difference, though, between a conversation you might have and how to write active dialogue in your story.

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Writing Relationships Between Characters

Writing Relationships Between Characters

Populating your world with interesting people can make readers care about your story, and writing relationships between characters can inspire them to ship, daydream, and root for your characters. Here’s how to help them come alive on the page as real, believable people.

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How to Describe Emotion
How to Create Characters

How to Create Characters

So often, story ideas begin with characters. Writers have a picture in their mind of a character they’ve never met, and from there a new story is born. How do we create characters that resonate with readers, though? What needs to go into the mix?

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There’s Always a Choice: Revision Techniques to Make Your Writing Stronger

There’s Always a Choice: Revision Techniques to Make Your Writing Stronger

If you've received vague revision instructions like “go deeper," we have some specific revision techniques that'll help you take your work to the next level.

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Writing Believable Characters

Writing Believable Characters

We know a believable character when we see one. We know what they want, how they feel, and that they’ll be different at the end of the story than they were at the beginning. Here’s how to make sure they’re connecting with your reader.

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The Difference Between Editing and Revising

The Difference Between Editing and Revising

There’s an important difference between editing and revising, although writers tend to use “editing” and “revising” as interchangeable terms to mean anything other than drafting. You’ll need to do both, so it’s helpful to understand the difference.

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Boring Characters

Boring Characters

Hello. My name is Blandy. My appearance is normal. My eyes, hair, and build are ordinary. My opinions are private. My feelings are mild. I have a job in an office where I work. For leisure, I either look outside or inside. I am a boring character.

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Tips for Writing Theme

Tips for Writing Theme

The act of writing theme is an important ingredient in storytelling, but it doesn’t have to resound with Meaning-with-a-capital-M. In fact, theme works best when it’s subtle and even open to interpretation. Here are three tips that’ll help you incorporate theme into your story.

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40 GOOD IDEAS FOR BOOKS to Get You Inspired

40 GOOD IDEAS FOR BOOKS to Get You Inspired

Uncap those pens, pop open those PCs, and crack your knuckles. It’s time to dive into good ideas for books, and how to brainstorm. Good Story Company is here to help you stay inspired with our quirky list of good ideas for books.

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Moralizing in Books
Writing Female Characters

Writing Female Characters

Writing female characters can be harder than you expect, as a writer, but it’s important to get right. There are some blind spots that many of us—men and women alike—have when it comes to crafting compelling female characters.

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Who Is My Target Audience?

Who Is My Target Audience?

Thinking about a “target audience” can sound cold and impersonal, especially for writers who are pouring their hearts into a manuscript. After all, it’s not like we’re lining readers up, eyeing the red circles painted on their torsos, and lobbing our books at them. Or are we?

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