Premise Vs Plot
The concept of premise vs. plot is a common stumbling block for many writers. They’ll think they have a killer idea for a manuscript lined up, but when they sit down to write, the energy fizzles out partway through. Why isn’t a great idea enough?
3 Helpful Tips for How to Rewrite a Novel
Rewriting a book doesn’t mean your idea or your writing are bad. It means there’s a better way to show readers the essence of what you’re trying to tell them. Here are 3 helpful tips to get you started!
Episode 36: Rob Kent, The Middle Grade Ninja
Rob Kent, author and host of the Middle Grade Ninja podcast, joins Mary Kole to talk about his illustrious publishing career and provides valuable insights and inspiration for aspiring writers. He discusses the importance of managing expectations for success in your writing career, as well as writing for your own personal happiness.
Boring Characters
Hello. My name is Blandy. My appearance is normal. My eyes, hair, and build are ordinary. My opinions are private. My feelings are mild. I have a job in an office where I work. For leisure, I either look outside or inside. I am a boring character.
Tag, You're It! Using Dialogue Tags Effectively
Dialogue tags are invisible and useful when done well, but they can kick a reader out of a story so quickly when they aren’t. Let's talk about which ones work, and which are less effective.
Episode 13: Wendelin Van Draanen, MG and YA Author
An uplifting conversation with author Wendelin Van Draanen, where we discuss the therapeutic nature of writing and the silver lining in a difficult path to publication.
Episode 11: Erin Entrada Kelly, Middle Grade Author
An interview with middle grade author and Newbery medalist Erin Entrada Kelly, where we discuss writing outside your lived experience.
Marketing Your Book With Emily Enger
Book Marketer and PR Coach Emily Enger joins Mary to talk about some of the aspects of the writing process that might leave a yucky taste in our mouths. Tune in for actionable tips and insights into a publicist and marketer's side of the publishing world.
Writing Shy Characters
How do you write shy characters? Shy people often have rich inner worlds that are teeming with life; they’re just selective about who they let inside. Here are a few ways to help you show your shy character’s true nature.
Episode 5: Jake Burt, Middle Grade Author
A podcast interview with middle grade author Jake Burt, all about writing diversity from a place of privilege.
How to Be a Writing Buddy
How is a writing buddy different from a critique partner or writing partner? The terms are often used interchangeably, but I happen to think that a “writing buddy” is friendlier. So here’s how to be a good one, and boost your own critique and writing skills at the same time.
Episode 35: Gretchen McNeil, YA Horror/Suspense Novelist
Dark YA novelist Gretchen McNeil joins Mary in an episode all about recognizing and executing a good story idea. They discuss the shifting young adult book market and embracing diversity, mastering storytelling structure and the importance of shaping the reader's experience, and the controversial subject of IP development.
Episode 30: Benjamin Roesch, YA/MG Author
Benjamin Roesch joins us to talk about his debut novel—but not his first novel—published with LGBTQ+ young adult indie publisher Deep Hearts. We talk about turning short stories into a novel, coming of age fiction, and being an older debut writer.
Tips for Writing Theme
The act of writing theme is an important ingredient in storytelling, but it doesn’t have to resound with Meaning-with-a-capital-M. In fact, theme works best when it’s subtle and even open to interpretation. Here are three tips that’ll help you incorporate theme into your story.
Advice for Beginning Writers
Some writers have been scribbling stories for so many years, they can’t remember a time when they weren’t writing. Others—like me—specifically remember when they decided to attempt a novel and began typing their first paragraphs. I want to share some advice for beginning writers here who might be feeling overwhelmed, insufficient, or daunted by the road ahead.
How to End a Chapter
Approaching how to end a chapter is tricky territory. It’s very easy to lose your reader in the white space and page break there, unless you give them a reason to stay and turn the page. Distractions are always beckoning, and nowhere is your grasp on your audience more tenuous. Check out this video to learn how to end your chapters in a compelling way!
Tips for Writing Child Characters
Whether you’re writing a picture book, a chapter book or a middle grade novel, the star of your story is a child character. Here are some tips on how to write a believable child character.
Writing Realistic Dialogue
When done right, writing realistic dialogue isn’t simple because people aren’t. Here are some tips and tricks for writing dialogue that sounds natural and fits the character who’s speaking.
Episode 25: Leslie C. Youngblood, Author
Leslie C. Youngblood shares her journey through her MFA program, gives tips on crafting interesting character relationships, and weighs in on one of the hottest questions for authors today: traditional or self-publishing?
I Need a Hero: Writing an Active Protagonist
An active protagonist drives the story. Meaning? Your main character should want specific outcomes and fight for them. That’s where the conflict in the story comes from: everything that fights back. For tips on activating the hero of your story, read on.