Writing Shy Characters
How do you write shy characters? Shy people often have rich inner worlds that are teeming with life; they’re just selective about who they let inside. Here are a few ways to help you show your shy character’s true nature.
How to Be a Writing Buddy
How is a writing buddy different from a critique partner or writing partner? The terms are often used interchangeably, but I happen to think that a “writing buddy” is friendlier. So here’s how to be a good one, and boost your own critique and writing skills at the same time.
Picture Book Word Count
How long can a picture book manuscript be? What if mine’s much longer? Or much shorter? Will I be automatically rejected by an agent? What if my story needs those words? Are there different lengths for different types of picture book manuscripts?
Let’s answer these questions.
Tips for Writing Theme
The act of writing theme is an important ingredient in storytelling, but it doesn’t have to resound with Meaning-with-a-capital-M. In fact, theme works best when it’s subtle and even open to interpretation. Here are three tips that’ll help you incorporate theme into your story.
How to End a Chapter
Approaching how to end a chapter is tricky territory. It’s very easy to lose your reader in the white space and page break there, unless you give them a reason to stay and turn the page. Distractions are always beckoning, and nowhere is your grasp on your audience more tenuous. Check out this video to learn how to end your chapters in a compelling way!
Tips for Writing Child Characters
Whether you’re writing a picture book, a chapter book or a middle grade novel, the star of your story is a child character. Here are some tips on how to write a believable child character.
Writing Realistic Dialogue
When done right, writing realistic dialogue isn’t simple because people aren’t. Here are some tips and tricks for writing dialogue that sounds natural and fits the character who’s speaking.
I Need a Hero: Writing an Active Protagonist
An active protagonist drives the story. Meaning? Your main character should want specific outcomes and fight for them. That’s where the conflict in the story comes from: everything that fights back. For tips on activating the hero of your story, read on.
Moralizing in Books
Think twice before you moralize in your book. Ditch "sharing is caring!" and go for a more nuanced message. Here's how.
Writing Female Characters
Writing female characters can be harder than you expect, as a writer, but it’s important to get right. There are some blind spots that many of us—men and women alike—have when it comes to crafting compelling female characters.
Raising the Stakes
Raising the stakes is a great way to sew tension in your story, and fear of failure is something everyone can relate to. The constant battle between running toward the goal while running away from the alternative will keep readers engaged and invested in your characters. Know how to identify your stakes and when to make them bigger.
Write What You Know
“Write what you know” is common advice, but it can feel like an attempt to limit creativity. You write to discover new places and understand different points of view. If you only write what you know, how can you write about what you don’t know?
A Million Bad Words
In order to write, you have to WRITE! Spending time learning theory, taking classes, and reading books are beneficial, but ultimately it is practice that will make you a better writer. Learn how a million bad words can turn into a good story.
Finding Time to Write
Finding time to write can sometimes seem impossible. If you have a packed schedule due to school, your day job, or multiple day jobs, you may think it’s impossible to start your novel, let alone finish it. Here are some ways to carve out time in your day to write.
Writing Across Age Groups with Alice Kuipers
Multi-published author Alice Kuipers chats with Mary about getting published, what it's like to have a writing career, and craft insights across categories.
Show Don’t Tell
Show don’t tell is one of the first pieces of advice given to new writers. My first writing professor preached that we all STAY AWAY from exposition. Still, even with SDT etched into our minds, writers slip into exposition and description, missing opportunities to immerse their readers.
Episode 7: Jessica Brody, Author and Writing Teacher
An interview with author and writing teacher Jessica Brody, where we discuss what makes a compelling story, how to apply story structure whether you're a plotter or pantser, and tackling large-scale revisions without ripping your hair out.
Self Care for Writers During the Holidays
The importance of self care is gaining momentum in the world, but this time of year especially, when there are so many demands on our time, it can feel more like selfish care, like everything else is worthier of our attention. But the truth is, if there’s a story inside you, you should tell it. And the only way that will happen is if you make the time.
Episode 3: Peter H. Reynolds, Picture Book Author and Illustrator
An enlightening discussion about creativity, picture book writing, illustration, inspiration, and making mistakes ... in a good way!
Writing Descriptions
Dust motes swirling in the gloom are enchanting, but do you really need to describe them in detail? Let’s look at some guidelines for writing descriptions so you can quench your thirst for gorgeous imagery without sacrificing the pacing of your story.